个人简介
      1. 韩志冰简介
      2. 韩志冰,1965年生于山东鄄城。毕业于山东师范大学美术学院油画系。中国美术家网总裁,文化部中国艺术节基金会副秘书长,原中国国家画院国展美术中心主任,中国五台山书画艺术研究院院长,中国美术家协会会员,国家一级美术师。 Han Zhibing is a member of China Artist Association and a national first-class artist. He was born in Juancheng, Shandong Province, in 1965. He majored in oil painting and g... 详细>>
艺术新闻

      沟通与融合——韩志冰在英国牛津大学艺术展上的演讲

        作者:正在核实中..2015-07-15 22:01:44 来源:网络

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          中国美术家网--让艺术体现价值

        先生们、女士们:

        大家好!

        我非常荣兴地接受到英格兰艺术委员会及英国皇家剧院的邀请来到美丽的英国,参加英国皇家艺术节。对此我表示由衷的感谢!来到了全球著名的英国牛津大学莫德林举办艺术展览,诸多牛津大学的专家、学者、教授,对社会科学和自然科学的不同领域有着高深的研究与探索的大师亲临现场,让盛会蓬荜生辉,感谢你们的鼎力支持!

        Communication and integration - Han Zhibing making a speech in Oxford University art exhibition

        Ladies and gentlemen:

        Hello everyone

        I am very proud to accept the beneficial Arts Council England and the Royal Theatre invitation to come to the beautiful Britain, and join the Royal Art festival. I would like to express my sincere thanks. At the world famous University of Oxford Magdalen held an art exhibition, many experts, scholars and Professors coming from University of Oxford with a profound research and exploration in different areas of social science and natural science. You let the event graced, thank you for your support!

        此次艺术节被邀请的意大利著名雕塑家Nicola先生,德国著名油画家zhongyan钟延女士,他们分别在雕塑、油画领域取得了杰出的成绩。我们祝福她们!

        我叫韩志冰,hanzhibiang,是一位来自中国的画家,中国水墨画是中国传统的一种绘画形式,也许大家对这种来自东方的绘画形式比较陌生,但是,她是东方五千年文化的重要组成部分,与西方油画艺术相比,她们分别是东西方文化轴心的两个黄金坐标点,是人类精神文明天秤的两端!

        This festival invited the famous Italy sculptor Mr. Nicola, a famous German painter Ms. Zhong Yan , who have made outstanding achievements in the field of oil painting and sculpture We bless them! My name is Han Zhibing, hanzhibiang, is an artist from China, Chinese ink and wash painting is a traditional Chinese painting form. You maybe feel relatively unfamiliar with this from Oriental painting, but she is an important part of the oriental culture of five thousand years. Compared with the western oil painting art, they are two gold coordinates of the East and the West cultural axis, while they also are the both ends of the human spiritual civilization Libra!

        世界上不同区域,生活着不同的民族,尽管他们的肤色、语言不同,但是他们分别创造着自己的文明,绘画艺术也是如此,并且在绘画语言上表现更显突出。

        中国绘画做为历史悠久的中华文化的积淀,有着自己明显的特征。她运用中国传统的毛笔、宣纸、墨汁、颜料、釆用散点透视法,不注重物体的结构、体积,空间关系,不强调自然界物体固有色、环境色、冷暖色的变化,不拘泥于物体外观形似,而主观抒发画家自己的主观情趣、抒发自己的情怀。创造并完善了容诗、书、画、印为一体完整的艺术语言形式。

        Different regions of the world, life of different ethnic groups, despite the differences of colors,  languages, but they are respectively creating their own civilization and culture, so is the art of painting, and the performance is more prominent in the language of painting.

        Chinese painting has a long history of Chinese culture, has its own obvious characteristics. She used the traditional Chinese brushes and rice paper, ink and paint, the scatterplot perspective method, do not pay attention to the object structure, size, spatial relationship, do not emphasize natural objects solid color and environmental color, color of changes in temperature change, didn’t get bogged down in the appearance of object shape and subjective paintings express own subjective interests, to express their feelings.  the content of poetry, books, painting, printing as one of the integrity of the art language form has been created and perfect.

        西方油画运用排笔、油画颜料、亚麻布,采用焦点透视法,利用解剖学,光学原理,严格按照物体的形象、体积、结构、空间、色彩、质感……等等,中国画讲究“以形写神,神形兼备,不求形似,以求神似”,追求一种“妙在似与不似之间”的感觉,创造了人类艺术的辉煌!

        Western oil painting is by oil paint, linen, the focus perspective, by means of anatomy, optical principle, strict according to the image of an object, volume, structure, space, color, texture and so on. Chinese painting pursues that ‘the spirit base on the shape, shape in both externality and internality, form is not important, but the spirit.’ And Chinese painting pursue a wonderful state of the like and the unlike, created the brilliance of human art.

        中国画在构图上,不是全部布满画面,讲究以少胜多,一般画面多留空白,多运用密不透风、疏可走马的对比方式,中国画的空白也是画,天空一般不画留给空白,但是她宛如凡高笔下的星空一样灿烂。中国画的水面一般也不画,或者少加水纹,但是她如同莫奈笔下的《睡莲》,同样具有冷暖。

        Chinese painting in the composition, not all covered with pictures, pay attention to defeat, the ordinary picture blanked, by contrast airtight, sparsely, blank Chinese painting is painting, painting the sky is generally not left blank, but she was described by Van Gogh like bright stars in the sky. Chinese painting surface is generally not painting, or adding a little water, but she has the same temperature with Monet’s "Lotus".

        中国画用笔,可中锋、可侧峰、可顺峰、可逆峰、可快可慢,毛笔的大小,速度不同及不同的笔峰变化,可以在宣纸上产生不同的变化效果,如同油画的肌理效果,中国画同样讲究笔触,同样要求画面“见笔见墨”。

        Chinese painting pen can be used in many ways, such as, center, side peak, following peak, reversible peak, fast or slow, brush size, different speed with different pen peak changes, can produce changes in different effect on rice paper, like painting texture effect, China painting also pay attention to the brush screen as "pen see the ink".

        中国画用墨,讲求皴、擦、点、染、泼,焦、干、湿、浓、淡及其各种技法调配运用以塑造型体,烘染气氛,有浓有淡,淡中有浓,浓中有淡,浓可破淡,淡可破浓,墨分五色,变化无穷,妙趣横生!所以与西方油画相比毫不逊色!所以我感觉任伯年的没骨与修拉的点彩同样厚重,潘天寿用线条勾勒的石头和李可染的墨块石头与伦勃朗笔下士兵的头盔一样的坚硬,而又富有质感!

        The traditional Chinese painting focuses on mixing all kinds of painting skills of crack, rub, point, dye, pour, burn, dry, wet, thick and light to shape object and cultivate atmosphere with effect of thick and light, thick mutually locates inside each other dilutes each other. There are five colors to ink that change endlessly and full of interest. So Chinese painting is nothing inferior when comparing to western oil painting! Then I think boneless painting by Zhen Bonian is the same dignified as stipple by Seurat, using lines to sketch stones by Pan Tianshou and ink block by Li Keran are the same as hard helmet worn by soldier by Rembrandt and full of tactile impression.

        中国画重线,西方油画重型。中国画的线条曲直、转折、急缓,起笔、运笔、收笔,有阴有阳、有藏有露、有飘有滞、有软有硬,富有丰富的变化,线条本身富有节奏感,线与线平衡、交叉均富于美感!我感觉傅抱石的线条与维娜斯的曲线,与克里木特的曲线有同样的曲美!

        The Chinese painting focuses on lines, yet western oil painting on shape. The lines of Chinese painting are straight, turned, swift and soft, starting to paint, running and putting an end to paint, sometimes yin and yang, hidden and exposed, fluttered and delayed, soft and hard. They are full of change and rhythm. There is endless beauty to parallel or crossed lines! I think lines by Fu Baoshi and curve from Venus are the same pretty as curve from Krym.

        西方油画重于再现、重在写生;中国画贵于表现,重于写意。同属于视觉艺术,一个重表、一个重里、一个画形、一个寓意,但是达芬奇《蒙娜丽莎》的微笑与八大山人笔下的白眼小鸟同样富有丰富的表情!

        The western oil painting focuses on reflection and sketch; the Chinese painting is good at expression and expressing spirit. They all belong to visual art, one toward outside, the other toward inside, one toward shape, the other toward spirit. But smile from Mona Lisa by Leonardo da Vinci is the same rich as little bird with white eyes by Pa Ta Shan Jen.

        绘画艺术是人类共同的财富,她无国界,是无言诗、无弦琴、无形舞、无声乐!是人类自身对美感的一种创造与表达。米开朗基罗在梵蒂冈创作的《创世纪》壁画与中国敦煌莫高窟的壁画;凡高、毕加索与中国的徐谓、朱耷的艺术成就同样在世界美术史上具有同样的高度与位置。

        The painting art is common wealth of human. She has no boundary, poem without words, Chinese zither without string, dance without action and music without sound! It is creation and expression to aesthetic for human being. Genesis by Michelangelo created in Vatican,and Dunhuang fresco and VanGogh, Picasso and Xuwei and Zhuda, they all have same art achievement in art history.

        艺术无国界,世界的也是民族的,民族的也是世界的。中西方绘画早就有了浸透与交流,中国的徐悲鸿、吴冠中既是油画家也是中国画家,他们的中国画作品也借鉴了许多西方艺术语言,西方的毕加索、马蒂斯、席勒的绘画也深受东方艺术的影响。

        The art has boundary. A culture that is national is also international. A culture that belongs to its nation also belongs to the whole world. Long time ago, the east and west painting communicated and exchanged. The Chinese XuBeihong and Wu Guangzhong are both oil painter and Chinese painter. They also inherit plenty of western art language. The paintings from Picasso, Matisse, Schiller are also deeply influenced by eastern art.

        先生们、女士们,我今天展现的是我的中国水墨画作品。我在大学期间学习的也是西方油画,毕业后因所处文化环境,人文土壤,以及内心骨髄里的情结,使我从事了中国画的创作的肇始。在绘画领域我是一个小学生,艰苦地探索着中国画的笔墨、形式与色彩,努力地运用意向思维,尽可能地用更美更抽象的形象表现物体。寻找、形成、凝固自己的艺术语言符号。

        Ladies and Gentlemen, today what I am going to exhibit is Chinese painting. What l learned in university is western oil painting. After graduation, for culture atmosphere and desire from inner heart, I start to paint Chinese painting. In painting field, I am just a student who tries to explore ink, form and color of Chinese painting and works hard to intentional thinking and uses more beautiful and abstract figure to express object. Seek, form and freeze my own art language symbol.

        今天大家看到的仍然是我的巜荷塘》系列作品,正是我思考与进行艺术实践的阶段性成果,因为她还存在着抽象半抽象的荷叶、荷花、荷杆与莲蓬。如果有一天你们看不到这些具象,画面上表现的只是点、线、面的关系,不具物象,而是规则与不规则的形体符号,诸如黑色的画面中一丝亮光,白色的画面上一个墨点等等,我假借艺术符号,以此传达不拘于花鸟、山水、风景与人物,那将是我的期盼!

        Today what you are enjoying is my series of work Lotus in Pool that is what I thought and achieved in practical art. For she still possesses abstract and half abstract lotus leaf, lotus, lotus rod and lotus seed. If one day you could not see all there objects, there are only points, lines and surface on painting, not object, but regular and irregular object symbol that is like a string of light in darkness and dark spot on white painting. I use art symbol to express objects beyond flowers and birds, landscape and figures, which is my expectation!

        请大家留有宝贵的建议,我将不胜感激!

        I appreciate a lot if you give me precious advices!

        谢谢大家!

        Thanks!

        韩志冰

        Han Zhibing

        二零一五年六月二十九日于英国牛津大学

        29 June 2015

        责任编辑:韩志冰官方网

        Editor: www.hanzhibing.com


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